Olympus ZUIKO DIGITAL ED 70-300mm F4.0-5.6
June 25, 2007
CENTER VALLEY, PA, June 26, 2007 – Olympus, a worldwide leader in lens technology, today announces its new super-telephoto Zuiko Digital ED 70-300mm (f4.0-f5.6) lens with a compact, lightweight design that is ideal for travel – a perfect complement to the two new portable D-SLR (digital single lens reflex) cameras, the EVOLT E-410 and E-510.
The lens impressive 140-600mm equivalent focal length (in 35mm photography) is excellent for capturing beautiful images in situations where getting close to a subject is not practical, such as photographing distant scenes, wildlife, sports and children at play. Additionally, due to its unique optical design and impressive minimum focusing distance, this telephoto lens enables consumers to get up-close (38 inches / 0.96 meters) to subjects when taking macro shots essential for capturing the intricate detail of a flower or jewelry. The lens will be compatible with all E-System and Four-Thirds system cameras, and it will be available at an attractive price for consumers.
Todays active lifestyles demand compact lenses that can be taken to the action, said John Knaur, senior marketing manager, Olympus Imaging America Inc. Previously, consumers avoided carrying large, cumbersome lenses, ultimately missing photographs. Consumers can now get close to subjects while carrying a smaller lens that wont weigh them down.
Affordably Priced Super-Telephoto for Astounding Reach
When shooting wildlife or sports, the ability to zoom in and bring the action close can make or break the picture. Whether photographing a tiger in the wild or a young softball player at third base, the Zuiko Digital ED 70-300mm lens puts long-range capabilities in the hands of consumers at an affordable price. The lightweight, portable size makes it an ideal lens for travel, and paired with an image stabilized digital SLR like the EVOLT E-510 the photos are sharp and clear at any focal length, even at times when a tripod may not be available.
100 Percent Designed for Digital Lenses
Looking to the future and technology, Olympus lenses are designed to be 100 percent digital, enabling lenses to be seamlessly matched to the image sensor so that light strikes the sensor directly with even coverage for accurate color and sharp photographs edge to edge. Zuiko Digital Specific Lenses each house their own CPU and offer the user the ability to upgrade the firmware as new technology becomes available. The ability to upgrade firmware also establishes optimal communication between the lens and the camera body, enabling better compensation for common distortions such as shading (darkening of the edges of an image that may sometimes occur in photographs) or barrel distortion (the bowing of vertical lines).
Designed to meet the needs of the enthusiast photographer, the Zuiko Digital 70-300mm lens uses advanced optical designs and the highest quality optical glass, including 3 ED glass elements, to provide rich color and crisp, clear photographs. All Zuiko lenses are lead-free, utilizing titanium within the optical design. The lightweight comfort and durability of this lens will give the user years of use no matter where in the world they may travel.
US Pricing & Availability
The Zuiko Digital ED 70-300mm Super-telephoto Lens will be available in September 2007. Estimated street price: $399.99
Shooters committed to the Four Thirds System, take note. Here is Serious Glass. This pro-caliber 70-200mm equivalent zoom ($2,200, street) — the world’s fastest in its focal-length range — packs four elements of ED glass, one element of Super ED glass, and all-metal construction with rubber seals to keep out moisture and dust.
It’s heavy and — ouch! — expensive, but it
promises optical performance that, in many circumstances (low light
with moving subjects, for example), could give a pro a significant
35-100mm (34.24-93.96mm tested)
f/2 (f/1.99- 2.02 tested)
21 elements in 18 groups.
Focusing turns 460 degrees counterclockwise.
Zoom ring turns 60 degrees clockwise.
Focal lengths marked at 35-, 50-, 75-, and 100mm.
Diagonal view angle: 34-12 degrees.
Weight: 4.04 lb.
Filter size: 77mm.
Mount: Olympus AF Four Thirds.
Included: Lenshood, softcase, tripod mount.
Street price: $2,200.
Sigma has debuted its third digital SLR to date, the SD14. Powered by a 14
MP Foveon X3 direct image sensor, the SD14 features four JPEG recording
modes as well as RAW; and a large pentaprism viewfinder with 98 per
The camera is equipped with a built-in flash with a Guide Number of
11; 5-point AF system; 2.5-inch, 150,000 pixel resolution LCD monitor.
Sigma says the shutter mechanism has a life cyle of over 100,000
Additional features include a dust protector that prevents dust from
adhering to the image sensor; high-speed continuous shooting at 3 fps; a
mirror lock-up mechanism that prevents camera shake; and three types of
metering modes. Powered by a lithium-ion battery, the SD14 can take
approximately 500 images on a full charge.
Sigma introduced its first digital SLR camera, the SD9, in October 2002. The second model, the SD10, launched in November 2003.
I have no idea how
true this is but things may turn out just nice if they are going to release it
soon as to compete with Canons 10 fps blazing Mark III Sniper ! If the
specification and price is as what is mentioned, this honey will, theoretically,
outperform the Mark III. A FF (Full Frame) dSLR with the option of 1.5x crop
factor when shooting at high fps makes thing 100% sweeter!
7 March 2007 – It seems that diehard Nikon fans are
still holding out for a full-frame DSLR, despite the company's emphasis on its
commitment to a smaller sensor size.
Now one website has details of a rumored D3, a successor to the D2X, that was
apparently unveiled to sales representatives in California.
A man called Jim Seaholm says that the specifications include a full-frame
sensor, although for high speed shooting a 1.5x crop factor will be applied.
Most controversially of all, the report says that it will have 18.7MP of
The price for this monster? $8000, around the same amount as Canon's 1Ds Mark
In addition, the mole reported that two lenses are in the pipeline, one a 50mm
1.2G AF-S lens, and the other a 24-120 2.8G AF-S.
Although this may indeed turn out to be "vaporware", one thing is for
certain, and that's that the top two camera makers are predicted to add
considerable pixels to their sensors in the next iteration of professional
cameras – Canon's next pro camera is rumored to have 22MP of resolution,
bringing it up to medium-format quality.